4 track cassette recording

SNEAK PEAK: New Artwork for forthcoming collection, Strange vol. 2

Dear friend and quality music enthusiast,

It’s been about a year since I put out Strange vol 1, and since then I’ve collected another batch of home recordings and little demos to share with you.

Some were made with a 4-track cassette recorder, others were played and sung directly into an iPhone.

I am intrigued by this raw and unfiltered approach. These tracks are more like field recordings, capturing an artist in the wild. There’s no studio polish, no producer to interfere, and no second guessing on behalf of the performer. It is what it is, they are what they are… and they are for you.

I’ll post the collection next week for download, but for now you can explore Strange vol 1 and enjoy another mad, brilliant illustration from my friend AstroMonkey.

Yrs,

Paul

P.S. As always, if you’d like to receive updates like these sent directly to your inbox on a weekly-ish basis, sign up for my newsletter here.

strange vol 2 artwork

Two Sides Of The Same Coin (An Experiment)

As a musician, there is always a balancing act. You want to make the music that makes you feel good, but you also want to create stuff that other people can enjoy.

So along those lines, I’m posting two versions of the same song here. It’s called “Baby Be Mine”.

These were both recorded on my 4 track cassette recorder. The first version is a simple take of me playing guitar and singing the song. When you see me perform live, this is what you get.

Then I went ahead and did 3 more takes on each of the remaining tracks. These were also all spontaneous, single-take performances. Whatever came out, just came out. There are additional vocals, guitars, a harp, and various other noises. Together they change the song into something a bit different, but that I also happen to like just as much.

Which of these versions do you prefer? Is one definitely better than the other? I can’t really tell. Leave me a comment below and let me know what you think.

Why I Love Ariel Pink, plus a brand new Queens Of The Stone Age cover

Ariel Pink is so good. He just has this quality to his recordings that I love. It’s homemade and all mushed up and just very cool. I think alot of it has to do with the fact that it’s made on a 4 track cassette recorder. Plus he’s just himself. You can tell he just made stuff that he thought was cool. It’s very odd and unique and pure.

I was listening to lots of his stuff when I recorded this cover of the great Queens of The Stone Age song “First It Giveth” for my friends over at Good Eye Records. I hope some of his greatness rubbed off on me. Enjoy!

The Beginner’s Guide To 4-Track Cassette Recording

mt50 4 track

My beloved.

Back in the 90s I got a 4 track cassette recorder. A Yamaha MT50 to be exact.

It’s been good to me over the years, but I feel like its time might be coming to an end. As a brief gun salute, here are some things I’ve learned about 4 track cassette recording.

1. Tape Over Stuff

When I record, I tend to be very impatient. I don’t like doing things more than once.

If I’m not getting the feeling that I want, I just rewind and try a different approach or maybe start a new idea altogether.

When you make a habit of this random and unstructured kind of behavior, especially on as many as 4 different tracks, shit gets really weird. A take will end and then some other random snippet from a previous hour or day or week or year will appear right afterwards. It’s spooky and I love it.

You don’t get those kinds of surprises when you’re working in a more organized environment like Pro Tools or even 2 inch, where time and space is more precious.

So get random and work fast. You will love the sound that returns to you later.

2. Don’t Bother Too Much With Gear

Yeah, I’ve got a nice mic preamp and compressor and all that. But I find that the best results I’ve gotten from my 4 track experimenting came from just plugging the damn mic in.

When I got the machine, I bought a cable with a 1/4 inch male on one end and an XLR female on the other. I’ve been using it ever since. Probably 20 years. Same cable.

Bonus tip: Wrap your cables nice & they’ll stay with you forever.

But yeah just get the ideas down quickly. Fiddling with the gear tends to just get me frustrated before I really get the chance to express myself.

Think about it—those first 5 minutes, 30 minutes, hour. That’s when you’ve got your initial burst of energy. That’s when you mind is fresh and you’re going to get something out of yourself that is pure and inspired.

Tinkering around with the “sound” is going to take precious momentum away from your actual musical ideas.

3. But Sound Is Important?

Yes. Yes my friend, it is. Which is why you should focus on the microphone.

This is where your sound comes from. Plug that mic in. Put on your headphones and start to sing and play. What does it sound like? Too distorted? Too distant? Not a good balance between your voice and instrument?

Move yourself and/or the mic around until you are capturing the best possible sound in the room. Remember the mic is capturing the SPACE your music is occupying. Not the music itself. Feel me?

In my experience, there’s always a sweet spot. Again, I’m not talking about anything super technical with frequencies or EQ or mic selection or anything.

I’m talking about one spot where you’ve arranged yourself, your instrument, and the microphone where things sound good to you.

The “you” part is important because who cares what anybody else thinks. You’ve got to use your own brain and ears. Once you start approaching things from that vantage point it gets much easier to make decisions about what sounds cool.

4. Don’t Throw the 4 Track

Look these things are machines. Not Steve Jobs machines, I mean actual gears and working mechanics and parts that need to interlock and function together.

And sometimes they just don’t work. Or they wear away with time.

In the case of my 4 Track, sometimes she just doesn’t record stuff. Even though she’s set to “record”. And even though the mic levels are reading as solid on her display. She just says “Nah. I don’t feel like actually recording that.”

And so when you finish a take, rewind and hit play and there is nothing there (or some haunted rubbish from the past creaking out at you), it’s important to not throw the 4 track.

You will want to throw the 4 track. You will want to throw it very hard against the wall.

If there’s a hammer nearby, you’ll want to smash the 4 track to bits. This is completely healthy and normal. But these urges cannot be acted upon. Exhibit self control. Pet the 4 track. Tell it you’re not really as upset as you look.

With a little gentle encouragement of this nature, your 4 track recorder will generally jump right back into action.

*It also might be the tape’s fault, and if you need to throw the tape, just throw the damn tape, that’s fine.

5. Keep All Your Tapes In A Shoebox

This method has worked for me. There they are in the shoebox when you need them.

See, tapes are not like Pro Tools files on a desktop, or big clunky reels. Your tapes are more like photographs.  Put them in a shoebox and then anytime you open it, you’ll see a bunch of memories looking back at you.

The tapes themselves also make a nice sound in the shoebox. They kind of clack around together as you shuffle through them.

Definitely don’t attempt to stack them neatly or sort them in any fashion. Just pile them up and rummage around with your hand like you’re stirring a pot. Win a prize every time.

Conclusion

So these are some ideas that I hope will make recording with a 4 track cassette machine more fun for you. Stay loose!

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Serendipitous chicken wings, plus a song

My friend Marcus told a story about chicken wings and suddenly I couldn’t help it: I wanted chicken wings.

He told us that somebody had planted a chicken wing in his bag one night, and he later found it… at the exact moment he saw someone else eating KFC. The stray wing enabled him to immediately satisfy the sudden craving that came over him when he saw the other fellow plowing through a bucket of Kentucky grilled. Holy cripes, I don’t think I’ve ever had a moment that rules quite as much as that. Maybe finding a $20 in my jeans?

Anyway I had southern fried chicken on my mind so I went over to Hill County Chicken and ordered the 5 piece Texas Tenders. This was too many, there’s still a tender in the fridge at work as we speak. But it did have me in a southern kind of mood.

So when I got to the studio tonight I decided to try this tune that has a bit of a southern fried feel to it. Originally I had intended to send you Part 1 of the 3-part recap of the NJPAC show (Note: The recap is now available here) but I haven’t gotten a chance to understand my digital camera yet and it’s important that footage be included in these communications so it will have to wait.

In the meantime, here is a little tune for you. Georgia keeps finding her way into my songs. This one is called “The Stars Kept On Shining (In The Georgia Sky)”. Now before you listen please keep in mind that this is an EXTREMELY CRUDE RECORDING made without the use of ANY SORT OF PROFESSIONAL EQUIPMENT OR EXPERTISE and you should bear that in mind before you hit play.

(Also, there are many, many words in this number so I have included them below if you’d like to follow along.)

[youtube https://www.youtube.com/watch?v=9ubDXtgJ7UE&w=560&h=315]

The Stars Kept On Shining

(In The Georgia Sky)

words and music by Paul Rosevear

Taloolah was certain

That true love had come

In a man named Orlando

Who worked in the sun

He was kind and gentle

And she was his prize

There was no greater beauty

He’d seen with his eyes

But the town started talking

And the family got wise

And they did what they had to

To keep things in line

So Orlando went missing

And Taloolah just cried

And the stars kept on shining

In the Georgia sky

Now Jim was a rebel

It was just in his blood

He didn’t mean no trouble

It’s just the way that he was

And he fell for Delilah

With the silver streaked hair

A drunk’s only daughter

With beauty to spare

Well the old man spoke plainly

He made himself clear

With his wife just a memory

Well his girl would stay near

But Jim he insisted

And one bullet was fired

And the stars kept on shining

In the Georgia sky

Well June was a wild one

A bad girl with charm

She kept love in her heart

And junk in her arm

And she wound up pregnant

With no man to be found

All the boys that she’d been with

Well they’d long since left town

She stayed on the needle

Cause the world got so cold

She could see people whisper

When she’d come up the road

But the babe was born healthy

Though her sweet mama died

And the stars kept on shining

In the Georgia sky

2 Songs From Brother Paul & The Magnitude of Funk

So I was over at the studio getting set up and Milo showed up. He also rents time at the studio and happens to play drums.

We get set up and started to jam a bit on a few ideas I had. They’re actually more than ideas, they are complete songs except I don’t have the lyrics memorized. This is a big problem.

Anyway we did the best we could and kind of got a groove going on two ideas.

The first is called “And I Sang,” a song I wrote based on something a friend told to me about his childhood.

The other song is called “Dreams of You”. This is a little country number I’ve had forever. Basically it’s a cheatin’ song.

Be forewarned! THESE ARE NOT POLISHED RECORDINGS. They are extremely raw and may cause you to recoil in terror.

[youtube http://www.youtube.com/watch?v=eczCfnLVjIk&w=560&h=315]

P.S. I was thinking if Milo and I ever had a band together, perhaps we could call it “The Magnitude of Funk”